Voice Quality

Ngo, Hood, Martin, Painter, Smith & Zappavigna (2022: 38):

Voice quality was noted in Section 1.5.1 in relation to the sing/song pitch (high then low) movement the vlogger uses in her last four tone groups to close down her hair dye narrative. From the perspective of APPRAISAL the sound quality resonates with her feeling that she is resigned to her current hair colour, at least for now. Work on this interpersonal aural dimension of paralanguage, drawing on van Leeuwen (1999), will be further explored in Chapter 5.

Blogger Comments:

This is recycled almost verbatim from Martin & Zappavigna (2019). Here are the comments from the review of Martin & Zappavigna (2019): Mistaking Language (Intonation) For Paralanguage (Voice Quality).

[1] Here the authors mistake prosodic features (the TONE sequence 3^13^3^1–) for a paralinguistic feature ("sing/song" voice quality).  Halliday (1985: 30-1) explains the difference as follows:

 

Moreover, if what the authors regard as "sing/song" pitch:

//3 hopefully / next ↑time I will 
//1 get my / ↓hair colour / back 
//3 um / but for / ↑now 
//3 this will / ↓do //

is compared with an accurate phonological analysis:

//3 hopefully / next time I will
//13 get my / hair colour / back
//3 um /but for / now 
//1- this will / do //

It can be seen that:

• the first ↑ corresponds to the low-rising pitch of tone 3,
• the first ↓ corresponds to the falling pitch of tone 1,
• the second ↑ corresponds to the low-rising pitch of tone 3, and
• the second ↓ corresponds to the narrow falling pitch of tone 1–

[2] To be clear, it is only the final TONE selection, tone 1–, that coincides with the APPRAISAL that the authors interpret as 'resignation' (this will do).  In SFL theory, the selection of tone 1– with declarative MOOD realises the KEY features 'mild or expected'.  Halliday (1970: 31):

Meaning of secondary tones In some cases the difference between a pair, or set, of secondary tones is mainly a matter of 'key', the degree of forcefulness or emotional intensity of the utterance. …

1. (medium), neutral; 1+ (wide), strong or unexpected; 1– (narrow), mild or expected.

On this basis, what the authors regard as voice quality "resonating" with 'resignation' is, in the authors' terms — though unknown to them — actually an instance of a secondary tone realising a feature of GRADUATION.