Ngo, Hood, Martin, Painter, Smith & Zappavigna (2022: 179):
In this section we introduce two additional paralinguistic systems – PARALINGUISTIC RHYTHM and PARALINGUISTIC PERIODICITY. PARALINGUISTIC RHYTHM deals with the sonovergent synchronicity of paralanguage with waves of sound in the prosodic phonology of speech. PARALINGUISTIC PERIODICITY deals with the semovergent coordination of paralanguage with waves of information in unfolding discourse. The metaphor of ‘waves’ references the peaks and troughs of textual prominence as texts unfold (Martin, 1992; Martin and Rose, [2003] 2007: 189).
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[1] To be clear, the rhythm of body language serves the same function as the rhythm of speech, just through different body parts. Because of this, it is language, not paralanguage, which why it is termed 'linguistic' body language in Cléirigh's model. Consequently, because it is not paralanguage, it is also not 'sonovergent'.
[2] This is misleading because it misrepresents the source of these ideas as Martin ± Rose. In truth, Halliday (1985: 169) draws on Pike's (1959) triad of 'language as particle, wave and field’:
The textual meaning of the clause is expressed by what is put first (the Theme); by what is phonologically prominent (and tends to be put last – the New, signalled by information focus); and by conjunctions and relatives which if present must occur in initial position. Thus it forms a wave-like pattern of periodicity that is set up by peaks of prominence and boundary markers.
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